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I Want to Tell You Lyrics: I want to tell you / My head is filled with things to say / When you're here / All those words, they seem to slip away / When I get near you .
Table of contents
- I Want To Tell You
- I Want To Tell You – The Beatles Bible
- I Want to Tell You
- I Want to Tell You
- Add your thoughts
John on tambourine would be unnecessary. John on piano, George on guitar, Paul on bass, Ringo on drums. It was almost as if he were trying to interject. Overdubbed maracas were added and all reduced to one track. One of the very few occasions where the Beatles harmonies are out of tune.
The Beatles are not out of tune. They are experimenting with discord sounds also known as dissonance. Nah… it sounds like a rush job to me. If they were to aim for a harmony vocal they would have accomplished it.
I Want To Tell You
This particular song presented another musical option and they went for it. The performances were full of raw genius, but not note-perfect, like if they had been session players. Truly, one would think that the flat high notes would be a mistake. I believe the answer of this song lies in another one of Georges song: He was denouncing the publishing business, and his treatment within it.
Really, I think that the Beatles and George wanted the notes to be flat. His voice sounds totally strained, and the three part vocals are out of tune — just a bit, but they are. Since Revolver is an album of experimentation, it is not unfeasible to extend that to this particular song. If you are not comfortable with musical references that explain the song then that is your problem. George had already passed on and had no say in how the performance should be delivered; in key or out.
They had quit touring for the purpose of recording. The version on Revolver is the version they and George wanted. We are talking about the time period when Beatle product meant everything to them. I agree with everything you said! The fast mono one even beats this one. To my ear, it seems that George in the lower register is flat on just about every one of the sustained triads. Maybe something to do with his vocal being prominent in the recording? It sounds… well… Indian. Pay attention, George contributes for once with 3 songs on this album, the largest amount for a single album. About the harmonies I can hear a sort of indian style, so I believe they were actually experimenting.
I Want To Tell You – The Beatles Bible
Paul makes it interesting, though, with his jangling piano, bass and unique harmonies. This is a superb song on perhaps the greatest album the Beatles ever made. This is one of the few songs they could have performed in concert. It is one song that I never get tired of hearing. I believe he was a better musician than the others, or at least, he had a more refined ear. This is all conjecture, of course. George wanted to be the Byrds for awhile. They all listened to Ravi Shankar at that time, even Ringo. Count me with those who think it was intentional. It goes with the stained sound in Paul background vocals throughout.
Which to me has always spoken to the tension inside the song. It also goes with the piano, which has always fascinated me. The piano always seemed out of tune or out of time, adding to the awkwardness of the narrator. I always pictured him having a crush on a girl but afraid to make his move. And the Beatles were absolute masters in the studio by this point.
You can also make the argument that Paul McCartney is the greatest background singer in the history of music. I certainly believe that. Paul was not only a master of feeling but a technical virtuoso. Very insightful interpretation of the song. Yes the music supports this feeling beautifully. They may have chosen this take over others because the out of tune harmonies worked for the mood of the song.
Wether or not the strained backing vocal from Paul was intentional, they exist, and they convey a certain feeling.
Nevertheless, the general tuning of the voices is not as accurate as usual, just because they were in a rush. Just happening on to this discussion but I would concur with Dreww that even the piano sounds dissonant and that was what they wanted. The whole song is raucous and crazy compared to most anything else they had put out at that time. I had to look it up to see if that had any merit. The dissonance is obviously intentional, but dissonance and out of tune are very different. I think the hasty nature of recording attributed to it. I, however, also believe they listened back and probably thought it was a neat sound!
With this song, George demonstrates his ability to turn the mundane into the profound. This might be the most ephemeral Beatles song: In fact, the intentional off-key-ness is explicit in the lyrics themselves, just like Northern Song only subtler: The big issue here is that a vocal take can sound very nice until you add harmony, then suddenly bad notes become more apparent.
I love this song. Always have- Always will. Of course its out of key, the harmonies, piano, bass, vocals. Revolver is one of my favorite beatles albums. One thing, I do not hear john on this song. Then two paul vocals. Paul holding on real well with the word time and paul doing his melisma on the word time. MONO version is much better. Say what you want, but out of tune is alright by me. George was on the verge of a great new awareness and creativity and this song signals that. The recording marked the first time that McCartney played his bass guitar part after the band had completed the rhythm track for a song, a technique that became common on the Beatles' subsequent recordings.
Among music critics and Beatles biographers, many writers have admired the group's performance on the track, particularly McCartney's use of Indian -style vocal melisma.
A version recorded during that tour appears on his Live in Japan album. At the Concert for George tribute in November , a year after Harrison's death, the song was used to open the Western portion of the event, when it was performed by Jeff Lynne. Ted Nugent , the Smithereens , Thea Gilmore and the Melvins are among the other artists who have covered the track.
I Want to Tell You
George Harrison wrote "I Want to Tell You" in the early part of , the year in which his songwriting matured in terms of subject matter and productivity. In his autobiography, I, Me, Mine , Harrison says that "I Want to Tell You" addresses "the avalanche of thoughts that are so hard to write down or say or transmit". I was looking back to the Earth from my awareness.
Author Robert Rodriguez views the song as reflecting the effects of Harrison's search for increased awareness, in that "the faster and more wide-reaching his thoughts came, the greater the struggle to find the words to express them".
I Want to Tell You
The metric anomalies suggested by this effect are borne out further in the uneven, eleven- bar length of the verse. According to Rodriguez, "I Want to Tell You" is an early example of Harrison "matching the music to the message",  as aspects of the song's rhythm, harmony and structure combine to convey the difficulties in achieving meaningful communication. The middle eight sections present a softer harmonic content relative to the strident progression over the verses. Pollack views the song's outro as partly a reprise of the introduction and partly a departure in the form of "a one-two-three- go!
The lyrics to "I Want to Tell You" address problems in communication   and the inadequacy of words in conveying genuine emotion. Further to Laing's reading of the song's message, author and critic Tim Riley deems the barriers in communication to be the boundaries imposed by the anxious, Western concept of time, as Harrison instead "seeks healthy exchange and the enlightened possibilities" offered outside such limitations. Untitled at the time,  "I Want to Tell You" was the third Harrison composition that the Beatles recorded for Revolver ,  although his initial submission for a third contribution was " Isn't It a Pity ".
Created during a period when the Beatles had fully embraced the recording studio as a means of artistic expression,   the recording added further to the message behind the song.
Add your thoughts
The final overdub was McCartney's bass guitar part, which he added on 3 June. In a contemporary review for the NME , Allen Evans wrote that "The Beatles' individual personalities are now showing through loud and clear" and he admired the song's combination of guitar and piano motifs and vocal harmonies. Adds something to a toughly romantic number. In America, due to the controversy there surrounding Lennon's remark that the Beatles had become more popular than Christianity , the initial reviews of Revolver were relatively lukewarm.
Writing in Rolling Stone ' s Harrison commemorative issue, in January , Mikal Gilmore recognised his incorporation of dissonance on "I Want to Tell You" as having been "revolutionary in popular music" in Gilmore considered this innovation to be "perhaps more originally creative" than the avant-garde styling that Lennon and McCartney took from Karlheinz Stockhausen , Luciano Berio , Edgar Varese and Igor Stravinsky and incorporated into the Beatles' work over the same period. In his overview of "I Want to Tell You", Alan Pollack highlights Harrison's descending guitar riff as "one of those all-time great ostinato patterns that sets the tone of the whole song right from the start".
Among Beatles biographers, Ian MacDonald cites the song as an example of Harrison's standing as "[if] not the most talented then certainly the most thoughtful of the songwriting Beatles".
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He comments that, in keeping with the lyrics' subtle Hindu-aligned perspective, Harrison's embrace of Indian philosophy "was dominating the social life of the group" a year after its release. In his review of the song for AllMusic , Richie Unterberger admires its "interesting, idiosyncratic qualities" and the group vocals on the recording, adding that McCartney's singing merits him recognition as "one of the great upper-register male harmony singers in rock".
Ted Nugent covered "I Want to Tell You" on his album State of Shock ,  a version that Billboard ' s reviewer said was "probably enough to sell the album". Although "I Want to Tell You" had been the least well-known of Harrison's three tracks on Revolver ,  it gained greater renown after he began performing it live in the early s. Lynne was backed by a large band, including Clapton and other musicians who had supported Harrison on the tour and at the Natural Law Party Concert. Blue Cartoon covered the song in the power pop style for the Harrison tribute album He Was Fab ,  released in According to Ian MacDonald: From Wikipedia, the free encyclopedia.
The song was about the frustration we all feel about trying to communicate certain things with just words. I realised that the chords I knew at the time just didn't capture that feeling. George's guitar creeps out of the silence the opposite of a fadeout , and his syncopated eighth notes and triplets deliberately trick the ear as to where the beat will land. It isn't until the drums enter with the solid backbeat that a rhythmic pattern is established — it's the most disorienting introduction to a Beatles song yet. Retrieved 26 September Archived from the original on 26 September Retrieved 14 March Retrieved 29 September Retrieved 25 September Talking About a Revolution".
Mojo Special Limited Edition: Available at Rock's Backpages subscription required. Music Box CD liner notes. The Music Box vol. Jerry Garcia tribute band makes Marin debut after two years on the road". I Want To Tell You".