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Psychoanalytic Process and Research Strategies. Representation in Early Modern Literature. University of Hertfordshire Press, Content Analysis for the Social Sciences and Humanities. The Family Romance of the French Revolution. Hutchinson, Phil; Read, Rupert J. In Defence of Peter Winch. The Act of Reading.
A Theory of Aesthetic Response. Johns Hopkins University Press, The Liminal Qualities of Anthropological Field-notes. Review of In the Castle of My Skin. Jacob, James and Jacob, Margaret. The Metaphysical Foundations of the Whig Constitution. Formulations and Critique of a Sociological Motif. The Language of Politics. Toward an Aesthetic of Reception. University of Minnesota, The Pope John Center, The Conduct of Inquiry. Methodology for Behavioral Science. Thomas Crowell, , p.
Hardin and Luisa Maffi, editors. Color Categories in Thought and Language. A Study of Pascal. The Collective and the Individual in Russia. A Study of Practices. The Case of the American Mennonites. The Rise of Industrial Genetics. The New Press, The Structure of Scientific Revolutions. Language in the Inner City. University of Pennsylvania Press, The Comparative Study of Symbols.
Stanford University Press Hoover Series, Lazarsfeld, Paul and Barton, A. Classifications, Typologies, and Indices. Lasswell et al editors. Lebert, Stephan and Lebert, Norbert. Little, Brown and Company, Assembling an Archive of Elusive Materials, c. University of Chicago Press, The University of Chicago Press, The Way of Masks.
University of Washington Press, Medical Killing and the Psychology of Genocide.
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The Creation of Coherence. Literature and the Culture of Information. Trinity, Church and Ethics in Reformation Theologies. Northeast Missouri State University Press, The Makings of Anthropology. Visual Construals in Social Theory. Scientific Practice and Ordinary Action. Macdonald, Stuart and Kam, Jacqueline. The Philosophy of Social Explanation. MacLaury, Robert et al.
A Dictionary of Sociology. Je consens, donc je suis. Presses Universitaires de France, The Social History of a Method.
Medin, Douglas and Goldstone, Robert. Political Violence under the Swastika. Michel, Jean-Baptiste et al. Metaphor and Analogy in the Sciences. How Randomness Rules Our Lives. Structures, Institutions, and Cultural Analysis. Molotch, Harvey and Lester, Marilyn. Political Power and Social Theory. Abstract Models for a Literary History. The Nationalization of the Masses.
The Control of Human Heredity and Evolution. Mullins, Blain and Dixon, Peter. Medieval Literature, Style, and Culture. University of South Carolina Press, Skrivemaskinstua Universitets Studentkontor, Zvi and Weber, Robert Philip. Evil in Modern Thought. An Alternative History of Philosophy. The Protestant Ethic Turns Essays on the Centenary of the Weber Thesis. Spectacles of Truth in Classical Greek Philosophy. Office Ladies and Salaried Men: Power, Gender, and Work in Japanese Companies. Margaret Mead, David Freeman, and the Samoans.
Stanford University Press, , pp. Pachucki, Mark and Breiger, Ronald. Beyond Relationality in Social Networks and Culture. Peacock, James and Tyson, Ruel. Pescosolido, Bernice and Rubin, Beth. Social Life, Postmodernism, and Sociology. Case Histories of Error and Judgment in Engineering. Picart, Caroline Joan S. The Benveniste-Maddox Counter Trials. It Was Like a Fever. Storytelling in Protest and Politics.
Trends in Content Analysis. A History of the Modern Fact. Problems of Knowledge in the Sciences of Wealth and Society. A Rhetoric of Science. University of South Carolina, Human Dignity and Bioethics. Putoni, Stefano et al. The Philosopher and His Poor. Ritual and Religion in the Making of Humanity. Cambridge; Cambridge University Press, Arts et sciences du texte. Ratner, Ronnie Steinberg and Burstein, Paul. The Story of Bioethics. Georgetown University Press, Qualitative Voices in Educational Research.
The Falmer Press, Research Unit Comparative Structural Analysis. Institute for Social Sciences. Non-Verbal Communication in Science Prior to Cognitive Development and the Acquisition of Language. Meaning and Method in the Social Sciences. Cornel University Press, A Response to Eric Slauter. The Cambridge Handbook of Situated Cognition. Problematizing Modernity in International Relations. Theory and Progress in Social Science. Studies in Cognitive Science. Daniel Bobrow and Allan Collins, editors.
Pilgrimage and Vision in Greece and India. The Ethnography of Communication. Sampson, Harold and Weiss, Joseph. Theory, Clinical Observations, and Empirical Research. The Guilford Press, University Center for International Studies, David Collier and John Gerring, editors. Concepts and Method in Social Science. Saunders, Barbara and Van Brakel, J. The Future of Literary Theory. Essays in Honor of Nelson Goodman. Die Reihen fast geschlossen. A Critique of the Study of Kinship.
University of Michigan Press, The Dark Arts of Mathematical Deception. University of Massachusetts Press, Beyond the Cultural Turn. University of California Press, Reading Graphs, Maps, Trees. Critical Responses to Franco Moretti. Johns Hopkins Press, Shapin, Steven and Schaffer, Simon. Leviathan and the Air-Pump. Hobbes, Boyle, and the Experimental Life. Shapiro, Gilbert and Markoff, John. Text Analysis for the Social Sciences. Expeditions in Cultural Psychology. Weber, Irrationality, and Social Order. Clyne, W Hanks, C Hofbauer, editors. A Parasession on Linguistic Units and Levels.
Chicago Linguistics Society, Singer, Murray and Richards, Eric. Singer, Murray et al. Singer, Peter and Wells, Deane. Ethical Issues in Scientific Research: Transforming Novelty into Innovation. NIH , Shakespeare and the Question of Mimesis. Corpus-Based Approaches to Metaphor and Metonymy. Sabers and Brown Shirts. The Handbook of Discourse Analysis. Social Movements and Culture. The Impact of the Highly Improbable.
Culture, Thought, and Social Action. The Press and the American Revolution. American Antiquarian Society, Situation Models and Levels of Coherence. Toward a Definition of Comprehension. Diverse Tools, Shared Standards. Henry Brady and David Collier, editors. Rowman and Littlefield, Taylor, John, Linguistic Categorization. Prototypes in Linguistic Theory. Theodore Fred Abel Collection. Hoover Institution Archives, Stanford, California. A Modern Dictionary of Sociology. Review of Natives of My Person.
A Critical Linguistic Introduction. Trabasso, Tom and Sperry, Linda. William Black And Co. Turner, Stephen and Factor, Regis. Dramas, Fields, and Metaphors. Symbolic Action in Human Society. Structure of Texts and Semiotics of Culture. Fragments from Forests and Libraries. Carolina Academic Press, The Case of Colour. Biographies of Scientific Objects. Moral Argument at Home and Abroad. Walzer, Susan and Oles, Thomas P. Gender and Uncoupling Narratives. The Protestant Ethic and the Spirit of Capitalism.
The Theory of Social and Economic Organization. Talcott Parsons, editor and with an introduction by Talcott Parsons. The Free Press, Trier in der Besatzungszeit — Studies in the Mimesis Effect. Essays on the Rhetoric and Poetics of the Law. Inwardness, Particularity, and Translation. University of Notre Dame: Plagiarism, Fraud, and Politics in the Ivory Tower. Williams, Rhys and Demerath, N. What Will Happen to Yours? Handbook of Thematic Content Analysis. Six Guns and Society.
A Structural Study of the Western. Wuthnow, Robert and Witten, Marsha. A Nice Derangement of Epistemes. The Odd One In. Positive reviews that seem to mention ambiguity. In the Castle of My Skin: Of Age and Innocence: For George Lamming is no ordinary writer He too is tormented by the speechlessness which results from too deep a penetration into the labyrinth of human relations. Take it as a sort of triptych with its two small panels dwarfed by an expansive central panel.
Natives of My Person: But as the story changes its mode of expression from the one extreme, Mark's intellectual diaries, to the other, Ma Shephard's West Indian patois, you do being to see a common factor in the various themes, and to appreciate that the book is not nearly as loosely constructed as you suspected. In fact, these shifts of interest serve to concentrate attention on the main argument: George Lamming provides no solution to the problem, not even the solution of an individual case, but strives to project the tension occasioned by the problem The first character to emerge from the background of anonymity is The Governor Of incident and action there is not a great deal, since Mr Lamming prefers remorseless reflection; in his riot of words the clarity of his meaning is sometimes lost The result is something strange, emotional and compassionate, something between garrulous realism and popular poetry, and it is quite delightful One is back again in the pages of Huckleberry Finn -- the fundamental book of civilization -- and Mr.
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Lamming's book reminds one delightfully, indeed poignantly of it in many episodes. He [Lamming] can touch off a vivid visual detail with amazing ease. But there is at times a jarring contrast between the clarity of his moral vision and the clotted, incantatory and repetitious prose in which he feels compelled to express it. Even his sense of injustice gets involved in an intensity of feeling that defeats itself. But his scope and grip increase considerably. He is easily among the best of younger writers in English. And they suffer somewhat for this.
Lamming is not always at home between unassimilated experience of the autobiographer and the unassimilated philosophy of the third person. And this shifting perspective makes the strict evaluation of each experience impossible, for there is no central intelligence to frame the action, there is no normative perspective This fact is responsible for the lapses in development, particularly the severe dislocation, which occurs between the first and second half In themselves, in the process of writing and reading, the West Indian imagination is pictured as it is: Yet such is his power of realization, that any given section of his work reveals a hard, unwinking gleam that marks its authenticity Season of Adventure opens with the experience of a voodoo ceremony and its effect, particularly on a West Indian girl who, until she is faced with the Gods of the tonelle, thinks that her sophistication renders her immune from the language of the drums.
Within this alternative tradition, Laming seems to be saying, lie the hidden and half-forgotten forces through which Caribbean society can be forged. There are flickers here and there of the early poetry, the early magic of language, but often than not a massive, dull and hollow movement of words.
The intention is just a vague golden line now brightening and surfacing in the work, not fading away from it altogether. Yet Lamming falls short One can only hope that he will find this - this tragic centrality - before it is too late, for there is something precarious, something unpredictably fragile about the treasury of experience a man carries when he cuts the cord that ties him to his mother country so early in his manhood. Lamming writes about these things and the disturbance of the book is the penetrating inquiry into the springs of human nature -- the implied criticism of a civilization, in fact The author appears in the novel both in his own person, and as an objectified character.
This complication has the advantage of giving us a double-vision of the material , one of distance and one of nearness. The review seems positive: Perhaps the ambiguity which filters through the book is necessary to the sense of groping, almost wooziness, which encircles the reader. A book of serious intent. Lamming depends on free-swinging metaphor to carry the greatest part of his narrative, piling up image after image, color after color to the point where he appears to lose the direction of his novel.
For long passages he uses frank and vivid sense impressions, only to turn suddenly into half-digested philosophy and awkward attempts at sophistication. This theme is presented from a confusing number of points of view but for the most part by Collis, one of the West Indian emigrants, whose experiences parallel those of Mr. The book suffers from its confusing form, but is so well-written that it should be in all but the smallest libraries. She indicates that a multiplicity of points of view typifies ambiguity, however, so this case, too, probably should run contrary to her hypothesis.
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Half-white, half-Negro himself, he knows better than most writers what it means to live and dream in a half-and-half world. Assuming that a review from Time would have made it into her all-inclusive sample, Griswold coded it as negative or mixed, not positive, since she lists all U. This is a fragile imposition on two scanty sentences. Since nearly every review contains attributable reservations such as this one, this coding shows how tricky it would be to code other reviews positive.
Why are so many of the crew named in French or Russian after New Testament characters? Why are are some NOT so named? Or a positive review that shows her correlation of ambiguity and approval is impertinent anyway, since the approval is offered in spite of ambiguity? This is no book for skimmers. The ship is almost a complete society By contrast to the pretentious complexity of the symbolical pattern of Water with Berries, the superficially simple allegory of Natives of My Person provides richly complex insights into human personality and the history of colonialism.
A work of fiction from him that made something like a created whole might be well forth waiting for. Lamming has learned to control his abundant material he should write a very fine book indeed. Within that structure, however, are deeply felt, austere and classical forms of a voodoo Ceremony of Souls. Reviews that appear to be mixed to negative despite mention of ambiguity. Natives of my Person: The ingredients for an absorbing adventure story are all present, including mystery, madness, love, and murder, but the combination never quite coalesces.
The story fails to hold attention and the principal characters arouse little sympathy or concern. By the conclusion of the novel, the murky psychological and allegorical elements and continual veiled implications have become annoying. So, ostensibly, he sets out, to picture childhood in the West Indies, a village changing hands from feudal white man to native speculator But it reads more like, and often is, fiction.
What faults, though, at once appear: Are these minor blemishes? The point of view is lost, and reveries mist the perspective, which Mr. Lamming can make sharp as glass when he likes. Whether this sacrifice of clear narrative to intuitive vibration is justified, readers must judge for themselves.
But, as one vignette succeeds another and leaves its impression behind it, the substance of a unified experience emerges -- the personal tragedy of the intellectual provincial who outgrows his native society But it is linked to a theme of semipolitical character, and to a kind of racism that can be accepted only with many misgivings There is something profoundly disgusting about racial chauvinism, no matter what sense of wrong or grievance produces it, and it cannot be too much regretted that it is an element in this unusual first novel.
The fluency of the poetic style calls for his admiration: Yet it remains true that prose is enlightened by the poetic mind but only too easily frustrated by an excess of the poetic manner. But it goes deeper, and begins to suggest that Lamming himself is struggling with an impulse to keep things in pectore. And that is a dismal paradox in a novelist. There is a most improbable story of ambiguous parenthood how Thomas Mann would have contrived this! In the first half Lamming could have better obstructed his task Lamming spins out the story with flashbacks and more flashbacks and unexpected revelations and complicated little episodes, but constantly returns to the point of depravity: Beneath this pessimism, all the characters Just the same, the author writes beautifully and movingly of the voyage and the motivations behind the growth of nationalism in the West Indies.
Assuming this review was in her all-inclusive sample, Griswold may have coded it as negative or mixed her footnote 18 , putting it into the large group of disconfirming reviews. He allows his characters to tell yarns at great length and almost gets away with this windiness More historical detail might have made it more comprehensible; too much of it is shadowy action and vaguely poetical momentousness.
It is even about a universal revolution. It is, per contra, as a novel, extra-politically, extra-sociologically, a hot fuddle of sententious and sensational verbosity And it is Mr. He sees too much, he wants us to see as much and as deeply as he sees and often we resent his constant nudging of our minds. Undoubtedly we need his help, but his help is never unobtrusive enough One of his preoccupations is with the nature of identity.
Are things, are people, what they are, merely what they are, or are they more? In Of Age and Innocence we were shown the tragedy which can and often does result from the arbitrary imposition of meaning upon a phenomenon in which no meaning is instinctive. It [ Season of Adventure ] is, in a piece of work, sometimes in many ways, too undisciplined, one feels the author has, as it were, taken his eyes off the road.
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If you believe that a story should say something and say it something plainly this is not for you. And as we yawn, we begin to wonder about Collis and Frederick Never, except possibly in Ulysses, where the style was electrifying, at least some of the time, has an author gone to such lengths to disguise his direction, the motivation of his characters, their appearance, and even the meaning of what they are saying. But the author makes the incidents happen off stage as in a tragedy by Seneca and because the movement of the book is shrouded in a deliberate mist of emotion, we are never quite sure what has taken place The book is difficult and, even in a certain sense, unpleasant to read.
There is introduced very early the literary device of the diary, that treasure house of the abstruse and the esoteric, and even in the first section of the book, the part which traditionally is devoted by an author to catching the interest and holding the attention of the reader, we are conscious that there is a deliberate blurring of the issues What conclusion then should we draw? That his metier is not the novel but he is developing on the side of the philosophical essay and the penetration of poetry?
And we should add this last point only George Lamming has written his third book, but he has not yet given us his readers the fulfillment of the considerable literary powers he possesses. George Lamming's third book Lamming creates difficulties for the reader. He has devised a story which is fundamentally as well-knit and exciting as one by Graham Greene.
But you have to look hard for it. Lamming suppresses and mystifies; he shies away from the concrete, and grows garrulous over the insignificant. In palace Bovary, what is a someone? In The Kite Runner, what is nonprofit experience? The download Gender Across Languages: The Linguistic Representation of Women and Men rotates not found. Your project found a book that this fiction could About welcome. Author to receive the Newsletter.
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