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The Stranger or Stranger may refer to: Contents. 1 Literature; 2 Fictional characters and stage personae; 3 Film; 4 Music. Albums; Songs. 5 Television; 6.
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- The Stranger | Summary, Context, & Analysis | efycymepodor.tk
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The Stranger | Summary, Context, & Analysis | efycymepodor.tk
Without playing the everyone-loses game of debating whether trafficked children is a more pressing national issue than the integrity of American presidential elections, we can now plainly see: Interestingly, both issues connect to the same obscure federal provision, Section of the Communications Decency Act of Internet platforms used to wield Section as a shield against liability for user-generated content that promoted sex trafficking—until Congress took away their Section immunity with respect to sex trafficking in April, setting off the current scramble to get into compliance.
But when it comes to political ads, Facebook, for example, is still free to claim Section immunity from Washington state's tough political ad transparency law, as it did earlier this year. In state court filings, Google has made the same immunity claim. Washington State Attorney General Bob Ferguson is now in court trying to force Facebook and Google to comply with a Washington law that's essentially a state-level version of the proposed "Honest Ads Act. Congress could be more like Ferguson and use the law to force tech platforms to be more transparent about the political ads they sell.
Eli Sanders is The Stranger's associate editor. He once did this and once won this , but he also once crashed his bike into a parked car while on his way to a staff meeting, never mind this , so… His website, which probably hasn't been updated in a while, is www.
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A bill that led to "adult content" disappearing from Tumblr? A bill to prevent future election interference on social media? We'll bring the bubbly. Meursault is now incarcerated, and explains his arrest, time in prison, and upcoming trial. His general detachment makes living in prison very tolerable, especially after he gets used to the idea of being restricted and unable to have sex with Marie. He passes the time sleeping, or mentally listing the objects he owned in his apartment. At the trial, the prosecuting attorney portrays Meursault's quietness and passivity as demonstrating guilt and a lack of remorse.
The prosecutor tells the jury more about Meursault's inability or unwillingness to cry at his mother's funeral and the murder. He pushes Meursault to tell the truth, but the man resists. Later, on his own, Meursault tells the reader that he simply was never able to feel any remorse or personal emotions for any of his actions in life. The dramatic prosecutor denounces Meursault, claiming that he must be a soulless monster, incapable of remorse, and thus deserves to die for his crime.
Although Meursault's attorney defends him and later tells Meursault that he expects the sentence to be light, Meursault is alarmed when the judge informs him of the final decision: In prison, Meursault awaits the results of his appeal. While waiting to learn his fate, either his successful appeal or execution of his death sentence, Meursault meets with a chaplain, but rejects his proffered opportunity of turning to God. Meursault says that God is a waste of his time.
Although the chaplain persists in trying to lead Meursault from his atheism or, perhaps more precisely, his apatheism , Meursault finally accosts him in a rage. He has an outburst about his frustrations and the absurdity of the human condition, and his personal anguish without respite at the meaninglessness of his freedom, existence and responsibility. He expresses anger about others, saying that they have no right to judge him for his actions or for who he is, that no one has the right to judge another.
Meursault however has grasped the universe's indifference towards humankind, and prepares for his execution. At night in his cell, he finds a final happiness in his indifference towards the world and the lack of meaning he sees in everyone and everything. His final assertion is that a large, hateful crowd at his execution will end his loneliness and bring everything to a comsummate end. Meursault is a French Algerian who learns of his mother's death by telegram. Meursault's indifference to his mother's death demonstrates some emotional detachment from his environment.
Other instances are shown. Meursault is also a truthful person, speaking his mind without regard for others. He is regarded as a stranger to society due to his indifference. As Meursault nears the time for his execution, he feels a kinship with his mother, thinking she, too, embraced a meaningless universe.
Her brother and friends try to take revenge.
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He brings Meursault into the conflict, and the latter kills the brother. Raymond and Meursault seem to develop a bond, and he testifies for Meursault during his trial. Marie Cardona was a typist in the same workplace as Meursault.
A day after he attends his mother's funeral, she meets him at a public beach, and they begin a relationship. Marie, like Meursault, enjoys sex. She represents the enjoyable life Meursault wants, and he misses her while in jail. Masson is the owner of the beach house where Raymond takes Marie and Meursault. Masson is a carefree person who likes to live his life and be happy.
Salamano is an old man who routinely walks his dog. He abuses it but is still attached to it. When he loses his dog, he is distressed and asks Meursault for advice.
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The Arabs include Raymond's mistress, her brother and assumed friends. None of the Arabs in The Stranger are named, reflecting the distance between the French colonists and indigenous people. The Arab the brother of the mistress of Raymond is a man shot and killed by Meursault on a beach in colonial Algiers. On the surface, L'Etranger gives the appearance of being an extremely simple though carefully planned and written book.
In reality, it is a dense and rich creation, full of undiscovered meanings and formal qualities. It would take a book at least the length of the novel to make a complete analysis of meaning and form and the correspondences of meaning and form, in L'Etranger. Terry Otten has studied in detail the relationship between Meursault and his mother. This postcolonialist response to The Stranger counters Camus' version, elements from the perspective of the brother of the unnamed Arab victim naming him and presenting him as a real person who was mourned and other protagonists. Daoud explores their subsequent lives following the withdrawal of French authorities and most pied-noirs from Algeria after the conclusion of the Algerian War of Independence in Some scenes and passages the murder, the conversation with the chaplain should also be revised.
The manuscript was then read by editors Jean Paulhan and Raymond Queneau.
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Gerhard Heller , a German editor, translator and lieutenant in the Wehrmacht working for the Censorship Bureau offered to help. The book was eventually published in June — 4, copies of it were printed.
Gallimard first published the original French-language novel in Gilbert's choice of title, The Stranger , was changed by Hamish Hamilton to The Outsider , because they considered it "more striking and appropriate" and because Maria Kuncewiczowa 's Polish novel Cudzoziemka had recently been published in London as The Stranger. In , the British publisher Hamish Hamilton , which had issued Gilbert's translation, published a translation by Joseph Laredo, also as The Outsider.
Penguin Books bought this version in for a paperback edition. Camus was influenced by American literary style, and Ward's translation expresses American usage.
A critical difference among these translations is the expression of emotion in the sentence towards the close of the novel: The Penguin Classics reprint of Laredo's translation has "gentle" changed to "benign". The ending lines differ as well: Gilbert translates "on the day of my execution there should be a huge crowd of spectators and that they should greet me with howls of execration", which contrasts with Laredo's translation of "greet me with cries of hatred. In French, the phrase is "cris de haine".
Ward translates this as "with cries of hate".