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Wie der erste Satz beginnt auch das Andante mit einem elegant verzierten Thema. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.
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Don't show me this message again. Piano Trio in G major, K composer.
Wolfgang Amadeus Mozart May Total duration: Other recordings available for download. How joyful, the sparkling flair of this new release. Hyperion has once more amazed us in offering a sample of exquisite musicianship, combined with a vividly engineered sounds.
Ensemble work is flawless, and intonation is no problem whatsoever. All three musicians are constantly looking for an original yet thoughtful approach to the score, and they succeed extremely well in doing so. With a delightful 'classical' approach their playing is light and nimble, and never too weighty even when the music might suggest it. Particularly in K, they slip between light and heavy naturally and seamlessly.
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The balance between the three instruments is spot on throughout, which reflects not only the players' astute and perfectly even-handed awareness of each other but also the skill and sensitivity of the recording engineer. The Florestan Trio are no strangers to the recording stage, and are collecting an enviable amount of excellent reviews. This is another one to add to the treasury. The textures are light, the playing airy, with a real sense of dialogue. Mozart soon achieved fame in the city as a pianist, and had acquired his own fortepiano by The keyboard parts that he wrote for his piano trios were now much less suitable for playing on the harpsichord, and much more demanding.
He founded the St Michael Singers with whom he became a leading proponent in the revival of English seventeenth-century polyphonic music as well as championing such composers as Parry and Vaughan Williams.
The title refers to the use apart from the Kyrie of English words for the setting of the Mass, as well as to the sequence of movements reflecting the Anglican Communion service with the Gloria placed last. Although Howells scored it for chorus, organ and strings, he also suggested optional instrumental additions of flute, oboe, timpani and harp which have been included on this recording.
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The vocal scoring is particularly effective with solo voices, semi-chorus and tutti all being used to create a variety of textures and colours both between and within movements. Throughout, Howells creates vivid musical images to correspond with the text and compared to Hymnus where the mood is brooding and questioning, the music of the Mass is rock sure in its faith. The Kyrie commences pianissimo in spare two-part writing and pained semitone clashes whose discomfort is quelled by the reassuring peace of the voices entering in imitation.
In richer harmonic fields the opening idea is repeated and varied to culminate in a sonorous statement, before the chorus lines fall away to silence. This is the longest section of the Mass, and its various parts are prefaced by brief orchestral links which create the ambience for the words that follow.
It merges attacca into the short Sanctus which begins with a mystical melodic phrase on the oboe. The movement ends with a hushed sotto voce echo of praise. The Benedictus is marked by sinewy melodies as heard in the flute solo which frames the movement. Its threefold supplication exploits several textures including solo quartet for the first time, and ends on a plea for peace.
Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Don't show me this message again. March Total duration: Howells had showed the work to Herbert Sumsion, the organist of Gloucester Cathedral, who in turn passed it to Vaughan Williams. Howells had kept the work private since he had written it as a purely personal document. At the time his grief was so overwhelming that he recalled he could neither work nor think; only when his daughter enquired whether writing music would help him come to terms with his grief did he realize that this would provide the succour he needed.
Music may have the power beyond any other medium to offer that relief and comfort. It did so in my case.
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