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education: you have trained me like a peasant, obscuring and hiding from me all gentleman-like qualities. The spirit of my father grows strong in me, and I will no.
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O, my gentle master! O my sweet master! O you memory Of old Sir Rowland!

AS YOU LIKE IT (1936) - Full Movie - Captioned

Why are you virtuous? And wherefore are you gentle, strong and valiant? Why would you be so fond to overcome The bonny priser of the humorous duke? Your praise is come too swiftly home before you. Know you not, master, to some kind of men Their graces serve them but as enemies?

As You Like It: Entire Play

No more do yours: O, what a world is this, when what is comely Envenoms him that bears it! ADAM O unhappy youth! Come not within these doors; within this roof The enemy of all your graces lives: Your brother--no, no brother; yet the son-- Yet not the son, I will not call him son Of him I was about to call his father-- Hath heard your praises, and this night he means To burn the lodging where you use to lie And you within it: I overheard him and his practises. This is no place; this house is but a butchery: Abhor it, fear it, do not enter it. ADAM No matter whither, so you come not here. Or with a base and boisterous sword enforce A thievish living on the common road?

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This I must do, or know not what to do: Yet this I will not do, do how I can; I rather will subject me to the malice Of a diverted blood and bloody brother. ADAM But do not so. I have five hundred crowns, The thrifty hire I saved under your father, Which I did store to be my foster-nurse When service should in my old limbs lie lame And unregarded age in corners thrown: Take that, and He that doth the ravens feed, Yea, providently caters for the sparrow, Be comfort to my age!

Here is the gold; And all this I give you.

Let me be your servant: Though I look old, yet I am strong and lusty; For in my youth I never did apply Hot and rebellious liquors in my blood, Nor did not with unbashful forehead woo The means of weakness and debility; Therefore my age is as a lusty winter, Frosty, but kindly: Thou art not for the fashion of these times, Where none will sweat but for promotion, And having that, do choke their service up Even with the having: But, poor old man, thou prunest a rotten tree, That cannot so much as a blossom yield In lieu of all thy pains and husbandry But come thy ways; well go along together, And ere we have thy youthful wages spent, We'll light upon some settled low content.

From seventeen years till now almost fourscore Here lived I, but now live here no more.

As You Like It Synopsis

At seventeen years many their fortunes seek; But at fourscore it is too late a week: Yet fortune cannot recompense me better Than to die well and not my master's debtor. ROSALIND I could find in my heart to disgrace my man's apparel and to cry like a woman; but I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat: Here shall he see No enemy But winter and rough weather. More, I prithee, more. I can suck melancholy out of a song, as a weasel sucks eggs. I know I cannot please you. Come, more; another stanzo: JAQUES Well then, if ever I thank any man, I'll thank you; but that they call compliment is like the encounter of two dog-apes, and when a man thanks me heartily, methinks I have given him a penny and he renders me the beggarly thanks.

Come, sing; and you that will not, hold your tongues.

As You Like It

Sirs, cover the while; the duke will drink under this tree. He hath been all this day to look you. He is too disputable for my company: I think of as many matters as he, but I give heaven thanks and make no boast of them. Who doth ambition shun All together here. O, I die for food! Here lie I down, and measure out my grave. Live a little; comfort a little; cheer thyself a little. If this uncouth forest yield any thing savage, I will either be food for it or bring it for food to thee. Thy conceit is nearer death than thy powers.

For my sake be comfortable; hold death awhile at the arm's end: I will here be with thee presently; and if I bring thee not something to eat, I will give thee leave to die: Yet thou liest in the bleak air: A table set out. First Lord My lord, he is but even now gone hence: Here was he merry, hearing of a song. A room in the palace.

  • As You Like It Synopsis.
  • As You Like It | Folger Shakespeare Library.

Sir, sir, that cannot be: But were I not the better part made mercy, I should not seek an absent argument Of my revenge, thou present. But look to it: Find out thy brother, wheresoe'er he is; Seek him with candle; bring him dead or living Within this twelvemonth, or turn thou no more To seek a living in our territory. Thy lands and all things that thou dost call thine Worth seizure do we seize into our hands, Till thou canst quit thee by thy brothers mouth Of what we think against thee.

I never loved my brother in my life. Well, push him out of doors; And let my officers of such a nature Make an extent upon his house and lands: Do this expediently and turn him going. And thou, thrice-crowned queen of night, survey With thy chaste eye, from thy pale sphere above, Thy huntress' name that my full life doth sway. Run, run, Orlando; carve on every tree The fair, the chaste and unexpressive she. I will fetch up your goats, Audrey. Orlando's older brother, Oliver, treats him badly and refuses him his small inheritance from their father's estate; Oliver schemes instead to have Orlando die in a wrestling match.

Duke Senior's daughter, Rosalind, and Duke Frederick's daughter, Celia, meet the victorious Orlando at the wrestling match; Orlando and Rosalind fall in love. Banished by her uncle, Rosalind assumes a male identity and leaves with Celia and their fool, Touchstone.

Come into the forest; dare to change your state of mind.

In the Forest of Arden, Rosalind, in her male disguise, forms a teasing friendship with Orlando. Oliver, searching for Orlando, reforms after Orlando saves his life. Duke Frederick restores the dukedom to Duke Senior, who leaves the forest with his followers. As You Like It was first published in the First Folio and that text serves as the source for all subsequent editions of the play. Some of these images show actors in character, while others show the plays as if they were real-life events—telling the difference isn't always easy.

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