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Thérèse Raquin is an opera in two acts composed by Tobias Picker to a libretto by Gene Scheer based on the novel Thérèse Raquin by Émile Zola. It is Picker's .
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I personally cringed and at the same time was fascinated by a most revolting description of a Parisian morgue. I was shocked to learn that it was in fact a favorite pastime for the people of Paris to visit the morgue and ogle the unfortunate inhabitants of this notorious attraction!

The door stands open, and all are free to enter. There are admirers of the scene who go out of their way so as not to miss one of these performances of death. There were times when it felt a bit repetitive and dragged slightly, but then it would shift and I would once more become submerged in the misery, depravity and psychological suspense. I would recommend this to those that enjoy classics and intense psychological studies. It is actually a very readable classic, so shouldn't necessarily exclude those that don't dip into the classics on a regular basis.

View all 20 comments. Sus autores pierden la posibilidad de ser felices. La novela incluye todos los tics del Naturalismo, como las minuciosas descripciones de lo cutre y lo mezquino: I read this book with morbid fascination, following with horror the deterioration of the sanity of the two main characters, Therese and Laurent. It's not a pleasant book to read. Zola wrote this book for men, not women. He didn't intend it to be regarded as a novel - which he considered to be for women, not men - but as an objective study of human behaviour which he likened to that of 'beasts'.

Knowing this, it's easy to read it as if we are watching two laboratory rats rathe I read this book with morbid fascination, following with horror the deterioration of the sanity of the two main characters, Therese and Laurent. Knowing this, it's easy to read it as if we are watching two laboratory rats rather than human beings.

It would be unkind to rats to compare them with this horrific, debased and senselessly cruel pair, however. This isn't Zola's finest hour but it is worth reading for the experience. This book is alive. From the first to the last I saw the story came to life and I was drawn so completely in. It made my heart beat a little faster, and even now I have put the book down, slept and lived through another day, it is still in my head and my heart. On one hand the story is utterly modern: It would be so easy to reset in in any period since it was published, and equally easy to take it back through the centuries.

Because this is a story of humanity. Of what people m This book is alive. Of what people may do to get what they want, and of how they may be destroyed if they reach too far, if they cross certain lines. Her father took his sister, a haberdasher, to raise with her son. Camille, a bright but sickly child. Zola painted a picture of dark and dull lives, and yet he held me. When Camille tried to pull away from his protective mother life changed. A passionate, obsessive relationship grew between them. Their feelings were tangible. They knew what they wanted, and they were oblivious to anything else.

And so they acted. That act is stunning. A flash of light in a dark story, and it is executed quite brilliantly. It may sound like an end, but it came early in the story. The knowledge of what they had done, the consequences of what they had done, were corrosive. And for their relationship. The pair seem trapped, in lives overtaken by guilt, horror and despair. But then something snaps. A downward spiral leads to a devastating conclusion. Zola handles all of this magnificently. And he deployed his cast — four principals, four supporting players, and a cat — so cleverly.

Each had more than one role to play.

Thérèse Raquin

Their story has broad strokes, and it has small details too, and they all work together beautifully. The story is desperately dark, but it is honest and never gratuitous. And the story is paramount; everything else is there to support the story, and it is woven in so well that it is never a distraction. You could stop to observe if you chose, or you could be quite naturally swept along by events.

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That allowed him to bring flawed, fallible, utterly real human beings to life on the page. To lay bare their hearts and souls. And to make the evolution of their lives, the extraordinary things that happen, completely understandable. And so it was that the skill of the author, and the understanding of the author, make this book compelling, horrific, and desperately sad.

Sep 04, Steven Godin rated it liked it Shelves: This short novel the weakest of the four Zola's I have read so far is a tale of lust, madness and destruction set within the brooding, dingy backstreets of Paris. Not the back streets I know and love of today!.

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The eponymous protagonist, a repressed and silently resentful young woman is married off, as per normal, according to her aunt's wishes to her sickly cousin Camille. Considering this is a 19th century novel, it really packs a punch, and does shock. Nothing like the period drama style novels of his countless counterparts. The characters are excellently done, but not exactly likeable, and the whole atmosphere is conceived really well.

This is not the Zola of Germinal or La Bete Humain, those novels I found were a class above this by some considerable distance. But had this been my first Zola then it probably would have made more of an impression on me. I still can't believe just how many novels he actually wrote.

Not likely to run out Zola reads for many a year to come. This was a solid novel, it's just the others I have read were that good. Dec 28, Perry rated it liked it. Apparently, this is a novel characterized as "naturalism," due to its scientific or detached narrative. The four temperaments are represented by Therese Raquin, an unhappily married young woman melancholic , Madame Raquin, her overbearing and selfish aunt choleric , Camille Raquin, her sickly, self-centered husband, who is also her 1st cousin phlegmatic all of whom all live together, and Laurent, interloping friend of the husband sanguine.

You might guess what happens. If not, I don't wanna spoil all your insidious fun. View all 11 comments. Passam a viver num pavor constante, numa ansiedade que se transmite ao leitor e o divide. View all 12 comments. Very scary, very dark and definitely wonderful.

Could not put this down.

  • Thérèse Raquin by Emile Zola!
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I learned about evil in this book. Teresa e Camillo, che poi si sposano, e la madre e un amico di Camillo, Lorenzo. Quattro personaggi insoddisfatti, scialbi e con aspettative limitate che sopravvivono a fatica in una Parigi cinerea, umida e disattenta. Ma quando parrebbe che tutto sia perfettamente definito, ecco che il romanzo si fa grande, nella descrizione accuratissima delle dinamiche che avvengono nella nuova coppia e nella madre del marito assassinato. Il delitto non mitiga il grigiore e le persone meschine restano meschine.

E' come esser presenti nella piccola casa, veder discutere i due, sentirli litigare, assorbirne l'angoscia. View all 5 comments. May 28, Nicola rated it really liked it Shelves: Reading Zola surely sets the bar - I'd say he is the French Hardy but although they are both masters of their art and certainly like to dwell in the downer side of town, Zola deals with the city and the impact of the immediate environment and people on the psyche of the individual which isn't really an area that Hardy greatly concentrates on.

Of course I've yet to read a lot of Zola so I could be wrong but going on the fact that he seems to be acknowledged as the trailblazer of the Human Superb. Of course I've yet to read a lot of Zola so I could be wrong but going on the fact that he seems to be acknowledged as the trailblazer of the Human Naturalist's then it's probably a safe assumption to make even so early on in my reading of his books.

Right from the outset Zola sets his stage: At the end of the Rue Guenegaud, coming from the quays, you find the Arcade of the Pont Neuf, a sort of narrow, dark corridor running from the Rue Mazarine to the Rue de Seine. This arcade, at the most, is thirty paces long by two in breadth. It is paved with worn, loose, yellowish tiles which are never free from acrid damp. The square panes of glass forming the roof, are black with filth. It's this dirty little patch of Paris where even as readers we feel choked and claustrophobic, where lives are played out.

The main character, Therese, is unable to free herself from the chains which bind her to her aunt and her cousin and takes a lover in the dishonest 'friend' of her husband as a form of emotional expression more than anything else. This is a dark novel but it's also eminently readable. Everyone in our book group liked it and found it difficult to put down some read it all in one go!

For anybody wanting a taste of Zola but who feels a little intimidated by the Les Rougon-Macquart series, this is a great place to start. Jul 03, Khashayar Mohammadi rated it really liked it Shelves: Its a claustrophobic tale of murder and adultery that sets the scene for many modern French Romance novels to come.

Thérèse Raquin (TV Mini-Series – ) - IMDb

Taking the simplicity of the plot into consideration, I was pleasantly surprised by how engrossing the narrative was. Jun 15, Petra Eggs rated it really liked it Recommends it for: Heavy literature readers with a taste for social issues. The shortest and most readable books from the vol Rougon-Macquart cycle but perhaps not the best one to start with. Students of Noir, Zola completists, Cat haters.

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This review has been hidden because it contains spoilers. To view it, click here. Therese Raquin is not a very good novel. It does, however, have some very interesting parts. If you are a fan of noir fiction, you will easily pick up on some classic elements of the genre: You may find it helpful to search within the site to see how similar or related subjects are covered. Any text you add should be original, not copied from other sources. At the bottom of the article, feel free to list any sources that support your changes, so that we can fully understand their context.

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James Shelley, an educated, sardonic, permanently unemployed "professional freelance layabout," has many battles with authority, the tax-man, his landlady and his girlfriend Fran. Based on the novel by Emile Zola, Therese Raquin is a tale of passion, obsession, and the psychological aftermath of an unforgivable deed. Recommended for mature audiences. Hey, the looks that old lady could give even when she was felled by Parkinson's Disease, almost killed: However, the wonderful thing that Zola does is to have everything play out in front of her, so that she actually is given the merciful gift of having justice done.

However, I couldn't stand that wimpy Camille either, and wonder why the girl didn't run away, but then that was pre-feminist advances. How lucky we are. If we don't like it their way, we can take the highway and get along better off. You might think that Therese turning into a hussy is far fetched, but I've known women made mad by their husband's adulteries that went mad in the same manner. The old lady's over-solicitous treatment of the son and the 2nd class treatment of the wife makes you ache for her, even as she wildly cavorts on the bed above her mother-in-law.

Truly some sexy scenes!! A review I read of Alan Rickman in this movie indicated you saw the red-headed model. I never did in my DVD set. Somebody get on the forums and let me know why I never say it. Did it just not make it to the DVD set? Rickman at his cutest, with all those silly curls. And you get flashbacks of 'dorian Grey' from the scene in the artist's garret. Watch this one, and switch back and forth to Sharpe's Rifles to see Brian Cox age.