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Editorial Reviews. From the Back Cover. The Adobe Photoshop Camera Raw plug-in for Adobe Photoshop has changed the way photographers work with.
Table of contents
- Real World Camera Raw with Adobe Photoshop CS4
- Real World Camera Raw with Adobe Photoshop CS4: Local Corrections in Camera Raw
Register your product to gain access to bonus material or receive a coupon. Shooting in the raw format gives digital photographers complete control over every aspect of image quality.
Real World Camera Raw with Adobe Photoshop CS4
Camera Raw makes the process of using raw files easier by providing a standardized way of accessing and working with these uncompressed digital negatives. Today serious photographers shoot raw images only. Real World Camera Raw with Adobe Photoshop was the first book devoted exclusively to the topic, explaining the advantages and challenges of using Camera Raw to produce magnificent images.
Hands-on techniques show readers how to expose and shoot for raw image capture as well as use new features. Readers will also learn how to use the latest version of Adobe Bridge to manage the thousands of images--and gigabytes of data--that result from raw shooting.
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Local Corrections in Camera Raw. Digital Camera Raw Chapter Two: Raw System Overview Chapter Four: Well, even the before image is quite nice, but Martin wanted to get a more fashionable look from the image.
The Complete Guide for Photographers. Other than slight adjustments of Recovery and Blacks, the main adjustment Martin made was to add Brightness see Figure and reduce contrast.
Additionally, he removed a bit of saturation with a —25 Vibrance adjustment. Figure Panel adjustments.
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There were three main Adjustment Brush image corrections: There are more pins showing but they are duplicates with different parameters, as the three shown in Figure Figure Local adjustments. Figure Image preview adjusting the Amount with the Option key to show the preview.
Real World Camera Raw with Adobe Photoshop CS4: Local Corrections in Camera Raw
Since he was primarily interested in sharpening only the low-frequency aspect of the image, he adjusted the Radius slider a bit wider to 1. He also adjusted the Detail slider down to increase the halo suppression on the sharpening. Increasing the radius and reducing the detail is common for portraits because you generally want to sharpen things like eyes and lips more so than the texture of the skin.