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New Chinese Documentary Film Movement, The. Additional Information. New Chinese Documentary Film Movement, The: For the Public Record; Edited by.
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Chris Berry, Xinyu Lu, and Lisa Rofel

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To learn more about Amazon Sponsored Products, click here. The New Chinese Documentary Film Movement is a groundbreaking project unveiling recent documentary film work that has transformed visual culture in China, and brought new immediacy along with a broader base of participation to Chinese media. As a foundational text, this volume provides a much-needed introduction to the topic of Chinese documentary film, the signature mode of contemporary Chinese visual culture.

These essays examine how documentary filmmakers have opened up a unique new space of social commentary and critique in an era of rapid social changes amid globalization and marketization. Would you like to tell us about a lower price?


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Page 1 of 1 Start over Page 1 of 1. China in the 21st Century: What Everyone Needs to Know. Creativity and Its Discontents: The story runs roughly like this: The result was an alternative aesthetic that became increasingly popular within the news media and among the rising generation of Chinese directors—two groups in search of a commercial audience and, in the case of the Sixth Generation, a distinctive collective brand. Just as important, however, was the constant shuttling of NDM practitioners between state-owned television corporations and the festival-based independent film circuit.

Resulting synergies between political and professional frustration, audience demand, and media commercialization thus vaulted NDM innovators and emulators to a position at the vanguard of Chinese cultural production. The subject matter is the message. The message is that not all people are well-served by current policies of socialist market reform.

The New Chinese Documentary Film Movement: For the Public Record

That is, NDM filmmakers and visual artists have intentionally subverted official aesthetic and representational codes in order to carve out their own niches within existing cultural industries. Several founding NDM members have gone on to successful careers as influential producers in television and film. Her research reveals that from a formal perspective, many of the techniques adopted by these directors were derived from domestic photographic circles and foreign cultural inflows.

The distinction is not inconsequential.